Tomás Gutiérrez Alea was a Cuban film director and screenwriter. He wrote and directed more than twenty features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance between dedication to the revolution and criticism of its social, economic, and political aftermaths in the country.
Strawberry and Chocolate
(Director)
Guantanamera
(Director)
Guantanamera
(Writer)
Death of a Bureaucrat
(Director)
Death of a Bureaucrat
(Story)
The Last Supper
(Director)
Memories of Underdevelopment
(Director)
Memories of Underdevelopment
(Writer)
The Twelve Chairs
(Director)
The Twelve Chairs
(Screenplay)
The Survivors
(Director)
The Survivors
(Screenplay)
Letters from the Park
(Director)
This Is Our Land
(Editor)
Stories of the Revolution
(Director)
Muerte al invasor
(Editor)
A Cuban Fight Against Demons
(Director)
Cumbite
(Director)
This Is Our Land
(Director)
The Other Francisco
(Writer)
Cumbite
(Writer)
Up to a Certain Point
(Director)
Stories of the Revolution
(Screenplay)
A Cuban Fight Against Demons
(Story)
A Cuban Fight Against Demons
(Screenplay)
Muerte al invasor
(Director)
The Last Supper
(Screenplay)
Up to a Certain Point
(Screenplay)
Up to a Certain Point
(Story)
This Is Our Land
(Additional Writing)
El mégano
(Additional Writing)
El mégano
(Co-Director)
General Assembly
(Director)
One Way or Another
(Dramaturgy)
Letters from the Park
(Writer)
Con el amor no se juega
(Director)
El arte del tabaco
(Director)
La Caperucita Roja
(Director)
El Faquir
(Director)
A Daily Mix-up
(Director)
A Daily Mix-up
(Screenplay)
Il sogno de Giovanni Bassain
(Director)
Il sogno de Giovanni Bassain
(Screenplay)
El camino de la mirra y el incienso
(Director)
La sexta parte del mundo
(Director)
Contigo en la distancia
(Director)