John Dennison born in Queensland, attended AFTRS from 1981 -1984. With fellow student Tony Vaccher they established Audio Loc Sound Design and pioneered digital soundtracks for Film and Television - a technology which - until then had really only been used in music recording. Their partnership with Fairlight lasted many years, and their ability to create beautiful sound design for smaller independent productions utilising this technology continued until 2012 when the Screen Australia facility they were established in, finally closed it's doors.
The Clinic
(Sound Supervisor)
Last Train to Freo
(Sound Re-Recording Mixer)
Last Train to Freo
(Supervising Sound Editor)
Sweetie
(Sound Supervisor)
Broken Hill
(Sound Supervisor)
Breathing Under Water
(Sound Designer)
Thank God He Met Lizzie
(Foley Artist)
Thank God He Met Lizzie
(Sound Re-Recording Mixer)
All My Friends Are Leaving Brisbane
(Sound Supervisor)
All My Friends Are Leaving Brisbane
(Sound Re-Recording Mixer)
The Clinic
(Sound Re-Recording Mixer)
Bright Star
(Sound Re-Recording Mixer)
Bright Star
(Sound Supervisor)
The Roly Poly Man
(Sound Supervisor)
My America
(Sound Supervisor)
Sweetie
(Sound Mixer)
Sweetie
(Foley Recordist)
Feed
(Sound Supervisor)
Feed
(Recording Supervision)
Broken Highway
(Foley Recordist)
Redd Inc.
(Sound Supervisor)
Love in the First Degree
(Sound Mixer)
The View from Greenhaven
(Sound Re-Recording Mixer)
Bella
(Sound Designer)