Frank Henenlotter, is an American screenwriter, director and film historian. He is known primarily for his horror comedies, though he would prefer to be classified as an "exploitation" filmmaker (rather than horror). "I never felt that I made ‘horror films’, he has said. "I always felt that I made exploitation films. Exploitation films have an attitude more than anything – an attitude that you don’t find with mainstream Hollywood productions. They’re a little ruder, a little raunchier, they deal with material people don’t usually touch on, whether it’s sex or drugs or rock and roll."
Cult of Terror
(Self - Filmmaker)
Mau Mau Sex Sex
(Himself)
Rewind This!
(Self)
42nd Street Memories: The Rise and Fall of America's Most Notorious Street
(Himself)
That's Sexploitation!
(Himself)
Herschell Gordon Lewis: The Godfather of Gore
What's in the Basket?
(Himself)
Basket Case
(Theater Patron (uncredited))
They Came from the Swamp: The Films of William Grefé
(Himself)
Your Date's on a Plate: The Making of Frankenhooker
(Himself)
Under the Scares
(Himself)
Frankenhooker
(Passenger (uncredited))
The Last Moguls
(Self)
Frankenhooker
(Director)
Frankenhooker
(Writer)
Basket Case 2
(Director)
Brain Damage
(Director)
Brain Damage
(Writer)
Basket Case 3: The Progeny
(Writer)
Basket Case 3: The Progeny
(Director)
Basket Case
(Director)
Basket Case 2
(Writer)
Basket Case
(Writer)
Bad Biology
(Director)
Bad Biology
(Writer)
Son of Psycho
(Director)
Herschell Gordon Lewis: The Godfather of Gore
(Director)
That's Sexploitation!
(Writer)
That's Sexploitation!
(Editor)
That's Sexploitation!
(Director)
Bad Biology
(Editor)
Basket Case
(Editor)
Chasing Banksy
(Director)
Boiled Angels: The Trial of Mike Diana
(Director)
Basket Case 3-1/2: An Interview With Duane Bradley
(Director)
Brain Damage
(Editor)
Belial's Dream
(Characters)
Slash of the Knife
(Director)
Slash of the Knife
(Screenplay)
Slash of the Knife
(Cinematography)
Skinned Deep
(Thanks)