Billy Bitzer

Gottfried Wilhelm "Billy" Bitzer (April 21, 1872 – April 29, 1944) was a pioneering American cinematographer notable for his close association with D. W. Griffith. In 2003, a survey conducted by the International Cinematographers Guild named him one of the ten most influential cinematographers in history. Bitzer, it is said, "developed camera techniques that set the standard for all future motion pictures." Description above from the Wikipedia article Billy Bitzer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Crew

The Birth of a Nation

(Director of Photography)

They Would Elope

(Director of Photography)

Broken Blossoms

(Director of Photography)

Intolerance: Love's Struggle Throughout the Ages

(Director of Photography)

Near To Earth

(Camera Operator)

Near To Earth

(Director of Photography)

Over the Hills to the Poor House

(Director of Photography)

Weighing the Baby

(Director of Photography)

When Knights Were Bold

(Director of Photography)

The Suicide Club

(Director of Photography)

Automobiling Among the Clouds

(Director of Photography)

Hooligan in Jail

(Director of Photography)

The Avenging Conscience

(Director of Photography)

Friends

(Director of Photography)

The Escape

(Director of Photography)

When a Man Loves

(Director of Photography)

What Drink Did

(Director of Photography)

Across Brooklyn Bridge

(Director)

The Camera Speaks

(Story)

Hard Wash

(Cinematography)

American Falls from Goat Island

(Cinematography)

American Falls from Luna Island

(Cinematography)

Automobiling Among the Clouds

(Director)

Children in the Surf at Coney Island

(Director)

President McKinley Inauguration

(Director)

Expert Bag Punching

(Director)

Levi & Cohen, the Irish Comedians

(Director)

A Drunkard's Reformation

(Director of Photography)

The Coney Island Beach Patrol

(Director)

Logging in Maine

(Director)

The Usurer

(Director of Photography)

The New York Hat

(Director of Photography)

The Sands of Dee

(Cinematography)

The Mothering Heart

(Director of Photography)

The Miser's Heart

(Director of Photography)

The Burglar’s Dilemma

(Director of Photography)

The Lesser Evil

(Director of Photography)

The Massacre

(Director of Photography)

The Chicken Thief

(Director of Photography)

In the Border States

(Director of Photography)

His Trust

(Director of Photography)

The Fugitive

(Director of Photography)

Swords and Hearts

(Director of Photography)

The Battle

(Director of Photography)

The Curtain Pole

(Story)

The Fall of Babylon

(Director of Photography)

The Mother and the Law

(Director of Photography)

A Cake Walk on the Beach at Coney Island

(Director)

Levi & Cohen, the Irish Comedians

(Director of Photography)

The Girl Who Stayed at Home

(Director of Photography)

What the Daisy Said

(Director of Photography)

Waiter No. 5

(Director of Photography)

The Iconoclast

(Director of Photography)

Italian Blood

(Director of Photography)

Panorama of Machine Co. Aisle

(Director of Photography)

Tom, Tom, the Piper's Son

(Director of Photography)

Testing a Rotary

(Director of Photography)

The Lady and the Mouse

(Director of Photography)

A Temporary Truce

(Director of Photography)

A Trap for Santa Claus

(Director of Photography)

Getting Even

(Director of Photography)

The Broken Locket

(Director of Photography)

Sunshine Sue

(Director of Photography)

The Way of Man

(Director of Photography)

The Giddy Dancing Master

(Director of Photography)

The Little Darling

(Director of Photography)

The Day After

(Director of Photography)

The Dude and the Burglars

(Director of Photography)

Fisher Folks

(Director of Photography)

A Feud in the Kentucky Hills

(Director of Photography)

To Save Her Soul

(Director of Photography)

The Zulu's Heart

(Director of Photography)

The Long Road

(Director of Photography)

The Goddess of Sagebrush Gulch

(Director of Photography)

The Mountaineer's Honor

(Director of Photography)

Midwinter Bathing, L Street Bath, Boston

(Director of Photography)

The Taming of the Shrew

(Director of Photography)

1776, or The Hessian Renegades

(Director of Photography)

Olaf—An Atom

(Director of Photography)

The School Teacher and the Waif

(Director of Photography)

The Hero of Liao-Yang

(Director of Photography)

Lines of White on a Sullen Sea

(Director of Photography)

A Lodging for the Night

(Director of Photography)

Baby in a Rage

(Director)

Brute Force

(Cinematography)

True Heart Susie

(Director of Photography)

The Son's Return

(Director of Photography)

Those Awful Hats

(Director of Photography)

Orphans of the Storm

(Director of Photography)

A Trip to Salt Lake City

(Director of Photography)

Rose o' Salem Town

(Director of Photography)

A Romance of Happy Valley

(Director of Photography)

At the Altar

(Director of Photography)

The Love Flower

(Director of Photography)

From Leadville to Aspen: A Hold-Up in the Rockies

(Director of Photography)

Westinghouse Works

(Director of Photography)

Trial Marriages

(Director of Photography)

Girls Taking Time Checks

(Director of Photography)

Latina, Contortionist

(Director of Photography)

The Lonedale Operator

(Director of Photography)

The Impossible Convicts

(Director)

Stealing a Dinner

(Director of Photography)

Peeping Tom in the Dressing Room

(Director of Photography)

The Adventures of Dollie

(Director)

The Midnight Girl

(Director of Photography)

The Idol Dancer

(Director of Photography)

A Frontier Flirtation; or, How the Tenderfoot Won Out

(Director of Photography)

She Banked in Her Stocking; or, Robbed of Her All

(Director of Photography)

Fights of Nations

(Director of Photography)

The Sealed Room

(Director of Photography)

The Unchanging Sea

(Director of Photography)

His Trust Fulfilled

(Director of Photography)

The Fate of the Artist's Model

(Director of Photography)

2 A.M. in the Subway

(Director of Photography)

New York Subway

(Director)

A Ballroom Tragedy

(Director of Photography)

Mr. Hurry-up

(Director of Photography)

Betsy Ross Dance

(Director of Photography)

McKinley at Home, Canton, Ohio

(Director of Photography)

Panorama View, Street Car Motor Room

(Director of Photography)

Edgar Allan Poe

(Director of Photography)

The Greatest Question

(Director of Photography)

The Georgetown Loop (Colorado)

(Director of Photography)

Steam Whistle

(Director)

The Making of a Man

(Director of Photography)

A Flash of Light

(Director of Photography)

The Lesson

(Director of Photography)

Happy Hooligan Interferes

(Director of Photography)

The Primal Call

(Director of Photography)

Father Gets in the Game

(Director of Photography)

The Valet's Wife

(Director of Photography)

A Pipe Dream

(Director)

The Greatest Thing in Life

(Director of Photography)

The Battle at Elderbush Gulch

(Director of Photography)

Alone

(Director of Photography)

Way Down East

(Director of Photography)

An Indian's Loyalty

(Director of Photography)

Little Egypt

(Camera Operator)

The Rose of Kentucky

(Director of Photography)

Mr. Jones at the Ball

(Director of Photography)

A Rural Elopement

(Director of Photography)

The Criminal Hypnotist

(Director of Photography)

The Welcome Burglar

(Director of Photography)

The Maniac Cook

(Director of Photography)

The Christmas Burglars

(Director of Photography)

Mr. Jones Has a Card Party

(Director of Photography)

Love Finds a Way

(Director of Photography)

The Sacrifice

(Director of Photography)

The Fascinating Mrs. Francis

(Director of Photography)

The Honor of Thieves

(Director of Photography)

The Cord of Life

(Director of Photography)

The Joneses Have Amateur Theatricals

(Director of Photography)

The Necklace

(Director of Photography)

Through the Breakers

(Director of Photography)

What Shall We Do with Our Old?

(Cinematography)

Steam Hammer

(Director)

Tapping a Furnace

(Director)

Westinghouse Works

(Director)

Testing Large Turbines, Westinghouse Co. Works

(Director)

Sweet and Twenty

(Director of Photography)

Coil Winding Section E

(Director)

Teaching Dad to Like Her

(Director of Photography)

The Honor of His Family

(Director of Photography)

The Summer Boarders

(Director)

The Painted Lady

(Director of Photography)

The Invisible Fluid

(Director of Photography)

Orphans in the Surf

(Director)

The Girl and Her Trust

(Director of Photography)

The Music Master

(Director of Photography)

Two Memories

(Director of Photography)

The Great Love

(Director of Photography)

Money Mad

(Director of Photography)

Home, Sweet Home

(Director of Photography)

Hotel Variety

(Director of Photography)

San Francisco: Aftermath of Earthquake

(Director of Photography)

Tom, Tom, the Piper's Son

(Director)

The Haymarket

(Director of Photography)

The Haymarket

(Director)

A Search for Evidence

(Director)

Iola's Promise

(Director of Photography)

Assembling and Testing Turbines

(Director)

Panoramic View, Aisle B, Westinghouse Works

(Director)

Casting a Guide Box

(Director)

Testing a Rotary

(Director)

Westinghouse Air Brake Co.

(Director)

Girls Winding Armatures

(Director)

Westinghouse Employees, Westinghouse Works

(Director)

Peeping Tom in the Dressing Room

(Director)

Welding the Big Ring

(Director)

Westinghouse Air Brake Co. (Moulding Scene)

(Director)

Westinghouse Air Brake Co. (Casting Scene)

(Director)

Assembling a Generator

(Director)

Panorama View, Street Car Motor Room

(Director)

Coil Winding Machines

(Director)

Girls Taking Time Checks

(Director)

Panorama Exterior Westinghouse Works

(Director)

Taping Coils

(Director)

The Coming of Angelo

(Cinematography)

A Kentucky Feud

(Director of Photography)

Panorama from the Tower of the Brooklyn Bridge

(Director)

Mixed Babies

(Cinematography)

Judith of Bethulia

(Director of Photography)

Jamestown Exposition

(Camera Operator)

An Unseen Enemy

(Director of Photography)

The Unveiling

(Cinematography)

The Lonely Villa

(Director of Photography)

The White Rose

(Director of Photography)

Personal

(Director of Photography)

The Battle of the Sexes

(Director of Photography)

New York Subway

(Director of Photography)

Ramona

(Director of Photography)

One Is Business, the Other Crime

(Director of Photography)

The Sunbeam

(Director of Photography)

The Musketeers of Pig Alley

(Director of Photography)

The Country Doctor

(Director of Photography)

The Mender of Nets

(Director of Photography)

Scarlet Days

(Director of Photography)

A Corner in Wheat

(Director of Photography)

The Little Tease

(Director of Photography)

Two Men of the Desert

(Director of Photography)

Hearts of the World

(Director of Photography)

Broken Ways

(Director of Photography)

So Near, Yet So Far

(Director of Photography)

The Wanderer

(Director of Photography)

Married for Millions

(Director of Photography)

The Unwelcome Guest

(Director of Photography)

Hulda's Lovers

(Director of Photography)

Enoch Arden: Part II

(Director of Photography)

The Redman's View

(Director of Photography)

Enoch Arden: Part I

(Director of Photography)

The Curtain Pole

(Director of Photography)

Enoch Arden

(Director of Photography)

The Last Drop of Water

(Director of Photography)

Comata, the Sioux

(Director of Photography)

The House with Closed Shutters

(Director of Photography)

Panorama from the Tower of the Brooklyn Bridge

(Director of Photography)

The Boy In The Barrel

(Director)

America

(Director of Photography)

Lena and the Geese

(Director of Photography)

Panorama of Machine Co. Aisle

(Director)

Happy Hooligan Interferes

(Director)

A Beast at Bay

(Director of Photography)

My Baby

(Director of Photography)

Wilful Peggy

(Director of Photography)

Bobby's Kodak

(Cinematography)

Chicks to Order

(Director)