László Kovács
László Kovács was a Hungarian cinematographer who was influential in the development of American New Wave films in the 1970s, collaborating with directors like Peter Bogdanovich, Richard Rush, Dennis Hopper, Norman Jewison, and Martin Scorsese.
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood
(Self)
Cinéma! Cinéma! The French New Wave
(Self)
Voyage on a Soundstage
Visions of Light
(Self)
The Nasty Rabbit
(The Idiot)
Easy Rider: Shaking the Cage
(Self)
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?
(Man at Carnival (uncredited))
Light Keeps Me Company
(Self)
No Subtitles Necessary: Laszlo & Vilmos
(Self)
The 'New York, New York' Stories
(Self)
A Hollywood Life: Remembering Frances
(Himself)
Afterthoughts
(Self)
Ghostbusters
(Director of Photography)
Easy Rider
(Director of Photography)
Copycat
(Director of Photography)
Return to Me
(Director of Photography)
Two Weeks Notice
(Director of Photography)
Say Anything...
(Director of Photography)
Shattered
(Director of Photography)
Mask
(Director of Photography)
At Long Last Love
(Director of Photography)
Frances
(Director of Photography)
The Next Karate Kid
(Director of Photography)
Paper Moon
(Director of Photography)
Close Encounters of the Third Kind
(Additional Director of Photography)
Free Willy 2: The Adventure Home
(Director of Photography)
Rebel Rousers
(Director of Photography)
Multiplicity
(Director of Photography)
Little Nikita
(Director of Photography)
My Best Friend's Wedding
(Director of Photography)
Jack Frost
(Director of Photography)
New York, New York
(Director of Photography)
Legal Eagles
(Director of Photography)
Blood of Dracula's Castle
(Director of Photography)
The Nasty Rabbit
(Second Unit Director of Photography)
Grizzly II: Revenge
(Director of Photography)
Harry and Walter Go to New York
(Director of Photography)
Mantis in Lace
(Director of Photography)
A Smell of Honey, a Swallow of Brine
(Director of Photography)
Steelyard Blues
(Director of Photography)
Directed by John Ford
(Director of Photography)
Directed by John Ford
(Camera Operator)
Kiss Me Quick!
(Director of Photography)
Mondo Mod
(Director of Photography)
The Notorious Daughter of Fanny Hill
(Director of Photography)
Torn from the Flag
(Director of Photography)
Torn from the Flag
(Executive Producer)
A Reflection of Fear
(Director of Photography)
Hell's Bloody Devils
(Director of Photography)
Slither
(Director of Photography)
The Runner Stumbles
(Director of Photography)
Butch and Sundance: The Early Days
(Director of Photography)
Ruby Cairo
(Director of Photography)
Paradise Alley
(Director of Photography)
Radio Flyer
(Director of Photography)
Baby Blue Marine
(Director of Photography)
The King of Marvin Gardens
(Director of Photography)
The Savage Seven
(Director of Photography)
Miss Congeniality
(Director of Photography)
Freebie and the Bean
(Director of Photography)
That Cold Day in the Park
(Director of Photography)
Nickelodeon
(Director of Photography)
Mark of the Gun
(Director of Photography)
Five Easy Pieces
(Director of Photography)
Heart Beat
(Director of Photography)
Inside Moves
(Director of Photography)
Shampoo
(Director of Photography)
The Scout
(Director of Photography)
Light Keeps Me Company
(Director of Photography)
The Wonderful World of Girls
(Director of Photography)
Single Room Furnished
(Director of Photography)
Huckleberry Finn
(Director of Photography)
Hells Angels on Wheels
(Director of Photography)
The Deserters
(Props)
The Last Waltz
(Additional Director of Photography)
The Last Movie
(Director of Photography)
The Toy
(Director of Photography)
For Pete's Sake
(Director of Photography)
Targets
(Director of Photography)
Getting Straight
(Director of Photography)
Pocket Money
(Director of Photography)
A Day with the Boys
(Director of Photography)
Crackers
(Director of Photography)
What's Up, Doc?
(Director of Photography)
Psych-Out
(Director of Photography)
The Legend of the Lone Ranger
(Director of Photography)
F.I.S.T.
(Director of Photography)
Alex in Wonderland
(Director of Photography)
The Marriage of a Young Stockbroker
(Cinematography)