Erik Hemmendorff is a producer and writer, known for Force Majeure (2014), The Square (2017), Involuntary (2008) Bergman Island (2021) and Triangle of Sadness (2022). Hemmendorff grew up in Frösön near Östersund and studied at the University of Photography and Film in Gothenburg. Together with Ruben Östlund, they started the production company Platform Produktion in 2002.
Twin Brothers: 53 Scenes in Chronological Order
(Cinematography)
Play
(Writer)
Boys on Film 18: Heroes
(Producer)
The Entertainment System Is Down
(Producer)
Concrete Night
(Co-Producer)
The Extraordinary Ordinary Life of José González
(Additional Photography)
Old Boys
(Co-Producer)
Bergman Island
(Producer)
The Guitar Mongoloid
(Sound)
Force Majeure
(Producer)
Involuntary
(Screenplay)
Involuntary
(Producer)
Vildhussen
(Assistant Director)
The Greatest
(Editor)
The Extraordinary Ordinary Life of José González
(Producer)
The Greatest
(Producer)
And the King Said, What a Fantastic Machine
(Executive Producer)
The Square
(Producer)
A Tiger in Paradise
(Producer)
Incident by a Bank
(Producer)
DAU. Cinema
(Co-Producer)
An Extraordinary Study in Human Degradation
(Producer)
Redoubt
(Producer)
Mother Knows Best
(Producer)
Råggywood: Vi ska bli rappare
(Producer)
Orenda
(Co-Producer)
Sweet Dreams
(Co-Producer)
Ridge
(Producer)
Shadowland
(Producer)
Förår
(Producer)
Autobiographical Scene Number 6882
(Writer)
Play
(Producer)
Ten Meter Tower
(Producer)
Beware of Children
(Co-Producer)
Fraemling
(Producer)
Downhill
(Executive Producer)
Triangle of Sadness
(Producer)
Epiphany
(Producer)
Pusselbitar
(Cinematography)
Pusselbitar
(Writer)
Greetings from the Woods
(Producer)
Looking for Tsai
(Director)
Looking for Tsai
(Writer)
Pusselbitar
(Director)
Weekend
(Producer)
Den ljusnande framtid är vår
(Director)
Looking for Tsai
(Cinematography)
Looking for Tsai
(Editor)
Looking for Tsai
(Sound)
Den ljusnande framtid är vår
(Writer)
Pusselbitar
(Producer)
Autobiographical Scene Number 6882
(Producer)
Pleasure
(Producer)