Agnès Godard
Agnès Godard (born 28 May 1951) is a French cinematographer. She is most famous for her long-running collaboration with filmmaker Claire Denis. For her work, she has won a César Award. Godard originally studied journalism, but switched to film after several years, graduating from La Femis (then known as IDHEC) in 1980. Her first project as a cinematographer was Wim Wenders' 50-minute Room 666, made for television. There she met Claire Denis, who was working as Wenders' assistant director. Godard spent much of the 1980s working as an assistant camera operator or focus puller on films by Wenders, Joseph Losey, Peter Greenaway and Alain Resnais. She also served as director of photography on a short film directed by legendary cinematographer Henri Alekan. Her first collaboration with Denis was the director's debut feature, Chocolat, where she served as the camera operator; she has been Denis' regular cinematographer since 1990, when the two worked together on a documentary about Nouvelle Vague filmmaker Jacques Rivette made for the French television series Cinema, de Notre Temps. Source: Article "Agnès Godard" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Hunting & Gathering
(Director of Photography)
Golden Door
(Director of Photography)
The Dreamlife of Angels
(Director of Photography)
The New Eve
(Director of Photography)
Lights Out
(Director of Photography)
Sister
(Director of Photography)
A Zed & Two Noughts
(Focus Puller)
Bastards
(Director of Photography)
The Falling
(Director of Photography)
No Fear, No Die
(Camera Operator)
Contact
(Director of Photography)
Keep It for Yourself
(Director of Photography)
Towards Mathilde
(Director of Photography)
35 Shots of Rum
(Director of Photography)
Porn Theatre
(Thanks)
The Line
(Director of Photography)
Rabia
(Director of Photography)
U.S. Go Home
(Director of Photography)
Paris, Texas
(First Assistant Camera)
Typist Artist Pirate King
(Director of Photography)
Little Girls
(Director of Photography)
Concerning Nice
(Director of Photography)
When the Day Had No Name
(Director of Photography)
Let the Sunshine In
(Director of Photography)
Leaving
(Director of Photography)
Room 666
(Director of Photography)
Salvation Army
(Director of Photography)
The Amazing Catfish
(Director of Photography)
Hinterland
(Director of Photography)
Land
(Director of Photography)
Jacquot
(Director of Photography)
Paris Follies
(Director of Photography)
Jacques Rivette, the Watchman
(Director of Photography)
To Make a Film Is to Be Alive
(Camera Operator)
Chocolat
(Camera Operator)
I Can't Sleep
(Director of Photography)
Nenette and Boni
(Director of Photography)
Friday Night
(Director of Photography)
The Intruder
(Director of Photography)
Trouble Every Day
(Director of Photography)
Beau Travail
(Director of Photography)
Figaro Story
(Director of Photography)
Golden Youth
(Director of Photography)
Germain Pilon ou le désir enfoui
(Director of Photography)
Ten Minutes Older: The Cello
(Director of Photography)
Duo
(Director of Photography)
Walden
(Director of Photography)
Love Unto Death
(Assistant Camera)
Replay
(Director of Photography)
Wings of Desire
(Assistant Camera)
Voilà l'enchaînement
(Director of Photography)
Home
(Director of Photography)
Wild Side
(Director of Photography)
Strayed
(Director of Photography)
Nearest to Heaven
(Director of Photography)
Life Doesn't Scare Me
(Director of Photography)
To Make a Film Is to Be Alive
(Director of Photography)
The Absence
(Director of Photography)